Free credit number Cincinnati

From his point of view, the central philosophical issue was ontological. The problem of the one and the many (or unity in plurality in Witkacys formulation) took its characteristic shape from the directly given feeling of the unity of free credit number Cincinnati the personality on the part of each Individual Being (the I or self) as free credit number Cincinnati it confronts the plurality of all free credit number Cincinnati that lies outside (the non-I or other).

These existential premises lead to a tragic free credit number Cincinnati sense of life, comprised of feelings of loneliness, consciousness of the accidental character of free credit number Cincinnati everything, recognition of the menace of nothingness, and bewilderment vis-a-vis an alien universe. Each of us is assailed by unanswerable free credit number Cincinnati questions, such as: Why am I precisely this being and not some other?

In this place in infinite space and at this instant in infinite time? Why does anything exist?These are the ultimate philosophical dilemmas posed in Witkacys dramas, free credit number Cincinnati which portray what he calls the experiences of a group of degenerate ex-people in free credit number Cincinnati the face of the growing mechanization of life, who suffer from loss of the metaphysical feeling of the strangeness of existence.

In the course of eight yearsfrom free credit number Cincinnati 1918 to 1926Witkacy wrote over thirty plays, but many actually remained unpublished and unperformed. Of the seven plays in this volume four were not performed in Witkacys free credit number Cincinnati lifetime, and three were not even published. search free credit report The launching of Witkacys career as a playwright coincided with the reconstitution of Poland as a nation. Although his family free credit number Cincinnati name may at first have been an free credit number Cincinnati asset, Witkacy remained a lonely and misunderstood figure whose flamboyant individuality created an adverse legend, In the course of a few years he aggressively attempted to impose a radical new concept of the theatre and to put his own dramas on stage as illustrations of his theory free credit number Cincinnati of Pure Form.

He sent his plays free credit number Cincinnati to directors, visited companies, corresponded with theatre artists, and wrote provocative articles for the press. His campaign was vigorous, and in the early 20s the playwright did achieve a certain notoriety as an eccentric outsider.

But the obstacles that Witkacy faced were immense, the result of social, political, and cultural conditions that arose in free credit number Cincinnati the aftermath of the war. When in free credit number Cincinnati 1918, as a result of the Treaty free credit number Cincinnati of Versailles, Poland regain its independence, the country and its arts were no longer under foreign domination for the first time in 123 years. credit score Once the occupying forces were withdrawn and the country recovered its identity as a self-determining nation, free credit number Cincinnati Poland became post-colonial and, in the abstract, was free to develop its culture as it wished. The Czarist bureaucracy, which had maintained and controlled all the theatres in the largest sector of the partitioned free credit number Cincinnati country (including Warsaw), suddenly dissolved overnight. During free credit number Cincinnati twenty years of precarious existence before disaster struck in 1939, Polish theatre enjoyed a brief but unstable interlude in which free credit number Cincinnati it was allowed to stand on its own and survive as best as it free credit number Cincinnati could.

Since the government was too poor to subsidize theatres, the burden of financing fell on the municipalities, but after the world-wide crisis of 1929, the situation grew desperate. The 1920s was a period of instability, financial crisis, and mounting danger and menace from political extremism. The free credit number Cincinnati brief war with the Soviet Union in 1919-20, successfully waged by the strongman Marshall Jozef Pilsudski, intensified Polish fears of Russian Bolshevism.

Censorship and government interference in the arts, previously wielded by foreign oppressors free credit number Cincinnati against an occupied nation, were now directed by Poles against other Poles, who could be accused of being Bolshevik or free credit number Cincinnati anarchist for simply engaging in any form of artistic experimentation. totally free credit report

As the government grew increasingly authoritarian, perceived leftist writers were harassed, magazines confiscated, and theatres raided.

Despite the free credit number Cincinnati general hostility to innovation in the arts, there were serious attempts to break the mold of a conventional theatre of entertainment.

The leading director of the period, Leon Schiller created a monumental theatre, using Shakespeare, the Polish romantics and neo-romantics, free credit number Cincinnati and Brecht, to create large scale works, composed in dynamic images, with huge crowds, choruses, choirs, music, song, and rhythmic movement.